What is Dance?: Readings in Theory and CriticismA wide variety of writing is included in this anthology, from the practical criticism of Arlene Croce and David Denby to the more scholarly work of Rudoloph Arnheim, Suzanne Langer, and Havelock Ellis. The collection is divided into seven sections: What is Dance?; the Dance Medium; Dance andthe Other Arts; Genre and Style; Language, Notation, and Identity; Dance Criticism; and Dance and Society. |
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Contents
WHAT IS DANCE? | 1 |
JEANGEORGES NOVERRE | 10 |
JOHN MARTIN | 22 |
SUSANNE K LANGER | 28 |
ANDRE LEVINSON | 47 |
Philosophy of the Dance | 55 |
THE DANCE MEDIUM | 103 |
STEPHANE MALLARME | 111 |
PostModern Dance | 325 |
Notes on Music and Dance | 336 |
R P BLACKMUR | 354 |
ANNA KISSELGOFF | 361 |
LANGUAGE NOTATION | 367 |
Dance Notation and Choreology | 390 |
From Languages of | 399 |
JACK ANDERSON | 410 |
FRANK KERMODE | 145 |
Primitivism Modernism and Dance Theory | 161 |
DANCE AND THE OTHER ARTS | 185 |
Martha Grahams Journey | 197 |
Music and Action | 203 |
BERNARD SHAW | 215 |
GENRE AND STYLE | 225 |
Ballet | 238 |
ADRIAN STOKES | 244 |
A K VOLINSKY | 255 |
Modern Dance | 262 |
Mind and Medium in the Modern Dance | 289 |
MARY WIGMAN | 296 |
Merce Cunningham and the Politics of Perception | 307 |
DANCE CRITICISM | 421 |
THEOPHILE GAUTIER | 431 |
The Art and Meaning of Isadora Duncan | 438 |
Anna Pavlowa 1920 | 445 |
Monumental Martha | 456 |
DANCE AND SOCIETY | 473 |
From The Elizabethan World Picture | 497 |
ROGER COPELAND | 515 |
RUTH KATZ | 521 |
JOANN KEALIINOHOMOKU | 533 |
ELIZABETH KENDALL | 550 |
561 | |
573 | |
Common terms and phrases
abstract action aesthetic American ancient Arlene Croce art of dance artistic attitude audience Balanchine Balanchine's ballerina beauty called century choreographer classical ballet costume created cultural Cunningham dance criticism dancers Degas Diaghilev drama emotion example experience expression fact Fanny Elssler feeling Fokine formal gesture girls grace Graham Greek human body idea ideal illusion imitation Isadora Duncan kind Kirstein La Sylphide Laban Langer language legs Lincoln Kirstein Loie Fuller look Mallarme Martha Graham Mary Wigman means medium ment Merce Cunningham Michel Fokine mime modern dance modernist move movement nature notation Noverre object original painting pantomime performance philosophers physical poetry primitive properties pure representation Reprinted by permission rhythm rhythmic ritual romantic sculpture seems sense social sort soul space spectacle spirit stage striptease style Sylphide symbol technique theatre theatrical theory thing tion tradition Twyla Tharp waltz Wigman words York Yvonne Rainer