Kampos: Cambridge Papers in Modern Greek, Issue 9Modern Greek Section, Faculty of Modern and Medieval Languages, University of Cambridge, 2001 |
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Page 95
... sarcophagus ) ; and narrator ( excluded observer ) versus the lovers ( protected by the sarcophagus ) . In the first of these relationships , the narrator's imagination has created a bridge between himself and the lovers , but in the ...
... sarcophagus ) ; and narrator ( excluded observer ) versus the lovers ( protected by the sarcophagus ) . In the first of these relationships , the narrator's imagination has created a bridge between himself and the lovers , but in the ...
Page 96
... sarcophagus constituted by Ioannou's story itself , in which narrator and lovers are permanently en- closed . The story , like the sarcophagus , risks losing its erotic charge when " brought to light " just as the sarcophagus has become ...
... sarcophagus constituted by Ioannou's story itself , in which narrator and lovers are permanently en- closed . The story , like the sarcophagus , risks losing its erotic charge when " brought to light " just as the sarcophagus has become ...
Page 98
... sarcophagus in the museum garden . Art can however do what life cannot , or at least , what conventional heterosexual society does not : it can refuse arbitrary binary classifications , notably the division between the real and the ...
... sarcophagus in the museum garden . Art can however do what life cannot , or at least , what conventional heterosexual society does not : it can refuse arbitrary binary classifications , notably the division between the real and the ...
Contents
Reading Seferiss politics and the politics of reading | 1 |
Greek sporting terms of foreign origin | 37 |
Irony and satire in George Seferiss poetry | 57 |
Copyright | |
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Aeschylus appear aspect Athens becomes belief body called Cambridge Cavafy century close collection concept consider context course critical cultural desire developed Dimiroulis early English erotic essays evidence example expressed fact final foreign fragments French given Greece homosexuality human humour identity Ikaros importance included interest Ioannou ironic irony issue Kayalis language least lecture less linguistic literary London looking lovers Makriyannis manner marking meaning Modern Greek morphemes narrator nature notes origin Oxford parody particular perhaps poem poet poetics poetry political position Press published reading reason reference reflecting revisionists rhetoric Right sarcophagus satire Savidis Seferis Seferis's Seferis's poetry Seferis's politics sense sexual social society sometimes specific sporting terms stem tradition translation types University University Press verbs voice writing written Yorgos και Σεφέρη το του