Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
From inside the book
Results 1-3 of 28
Page 195
... earl's relative and posthumous defender.47 In describing his own self - censorship in destroying his un- published tragedy of Antony and Cleopatra rather than risking having it " construed or strained to a personating of vices in the ...
... earl's relative and posthumous defender.47 In describing his own self - censorship in destroying his un- published tragedy of Antony and Cleopatra rather than risking having it " construed or strained to a personating of vices in the ...
Page 200
... Earl of Essex's rebellion " ( The Queen's Two Bodies : Drama and the Elizabethan Succession [ Lon- don : Historical Society , 1977 ] , p . 2 ) ; Stephen Greenblatt , " In Elizabeth's bitter recollection the performance has metastasized ...
... Earl of Essex's rebellion " ( The Queen's Two Bodies : Drama and the Elizabethan Succession [ Lon- don : Historical Society , 1977 ] , p . 2 ) ; Stephen Greenblatt , " In Elizabeth's bitter recollection the performance has metastasized ...
Page 228
... Earl of Gloucester " ( 3. 5. 17-18 ) and uses the occa- sion and its aftermath to order him about , telling him when to exit and when to enter , and what to do in be- tween - find Gloucester , attend on Regan , leave the scene of the ...
... Earl of Gloucester " ( 3. 5. 17-18 ) and uses the occa- sion and its aftermath to order him about , telling him when to exit and when to enter , and what to do in be- tween - find Gloucester , attend on Regan , leave the scene of the ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 other sections not shown
Common terms and phrases
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York