Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
From inside the book
Results 1-3 of 80
Page 61
... fall in love in the course of the play : they are ( the argument goes ) in love when it begins . Again , I have to say that I find this near - universal as- sumption entirely mistaken . Despite all the sophisticated techniques of the ...
... fall in love in the course of the play : they are ( the argument goes ) in love when it begins . Again , I have to say that I find this near - universal as- sumption entirely mistaken . Despite all the sophisticated techniques of the ...
Page 141
... fall motif and structure of the play have always been obvious . Richard uses the rather unsublime image of two buckets in a well to describe it . It is perhaps worth noting that the traditional and loftier image of Fortune's Wheel is ...
... fall motif and structure of the play have always been obvious . Richard uses the rather unsublime image of two buckets in a well to describe it . It is perhaps worth noting that the traditional and loftier image of Fortune's Wheel is ...
Page 170
... fall their mantles to reveal the " masquing apparel " of English courtiers , " a metamorphosis that is expressly effected by the power of the royal gaze : Bow both your heads at once , and hearts : Obedience doth not well in parts . It ...
... fall their mantles to reveal the " masquing apparel " of English courtiers , " a metamorphosis that is expressly effected by the power of the royal gaze : Bow both your heads at once , and hearts : Obedience doth not well in parts . It ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 other sections not shown
Common terms and phrases
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York