Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
From inside the book
Results 1-3 of 84
Page 24
... play , the site / sight where the play produces its theatrical tour de force by offering up a prostrated woman's body to the eye - and the boot - of the stunned viewer . But whereas the play's stage history of repeated revisions clearly ...
... play , the site / sight where the play produces its theatrical tour de force by offering up a prostrated woman's body to the eye - and the boot - of the stunned viewer . But whereas the play's stage history of repeated revisions clearly ...
Page 146
... play's history into delight may not be so easily accomplished , history com- prising as it does , in Annabel Patterson's words , " both [ the play's ] content and its context . " " The impulse , how- ever , testifies to that history's ...
... play's history into delight may not be so easily accomplished , history com- prising as it does , in Annabel Patterson's words , " both [ the play's ] content and its context . " " The impulse , how- ever , testifies to that history's ...
Page 418
... play's only fully realized human character . I don't mean by this that , as some have maintained , the entire play takes place in Prospero's mind ; but it does seem to me that one of the major theatrical problems of the play lies in ...
... play's only fully realized human character . I don't mean by this that , as some have maintained , the entire play takes place in Prospero's mind ; but it does seem to me that one of the major theatrical problems of the play lies in ...
Contents
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
31 other sections not shown
Common terms and phrases
action Adonis Antonio appears audience become Cade Caliban Cambridge character Claudius comedy comic context court Coventry scene critical cultural Cymbeline death Desdemona desire discourse dramatic early modern edition Elizabeth Elizabethan England English essay Essex Falstaff father female festive gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello peare peare's performance Petrarch play's plot poems political popular Procris prose Prospero Queen Renaissance rhetoric Richard Richard II role Rosalind secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion Titus Andronicus tragedy tragic trans Univ University Press utterance Venice Venus verse woman women words York