Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page 97
... reason for desiring death , this speech exhibits Ange- lo's retrogressive stance relative to the sort of moral ed ... reasons for question- ing the hopefulness of Mariana's " So may my husband . " Far from " a little bad " producing ...
... reason for desiring death , this speech exhibits Ange- lo's retrogressive stance relative to the sort of moral ed ... reasons for question- ing the hopefulness of Mariana's " So may my husband . " Far from " a little bad " producing ...
Page 273
... reason Caliban so infuriates Prospero is that he is constantly able to expose the embar- rassing truth that there is no social basis for their relation- ship ; that Prospero's rule has no authority beyond force . Slavery is no ...
... reason Caliban so infuriates Prospero is that he is constantly able to expose the embar- rassing truth that there is no social basis for their relation- ship ; that Prospero's rule has no authority beyond force . Slavery is no ...
Page 376
... reason to believe that Shakespeare was drawn to this earlier Elizabethan's story . Perhaps the strongest link between Cymbeline and Pet- tie's story is that in both works we have very similar reasons for the departure of the husband ...
... reason to believe that Shakespeare was drawn to this earlier Elizabethan's story . Perhaps the strongest link between Cymbeline and Pet- tie's story is that in both works we have very similar reasons for the departure of the husband ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York