Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page 48
... true friends which is reminis- cent of Duke Senior's sense of true friendship in the exiled court in Arden . The Harington family metal had indeed been tried on the touchstone of adversity and had been found true . Around the turn of ...
... true friends which is reminis- cent of Duke Senior's sense of true friendship in the exiled court in Arden . The Harington family metal had indeed been tried on the touchstone of adversity and had been found true . Around the turn of ...
Page 301
... True Chronicle Historie of King Leir in Richard III , The Merchant of Venice , As You Like It , and Hamlet , and there is a curious give and take be- tween these plays , the Leir play , and King Lear . ' Consid- er the following ...
... True Chronicle Historie of King Leir in Richard III , The Merchant of Venice , As You Like It , and Hamlet , and there is a curious give and take be- tween these plays , the Leir play , and King Lear . ' Consid- er the following ...
Page 308
... True Chronicle His- torie was a remarkably pervasive presence in Shakes- peare's career for well over a decade and exercised con- siderable power in shaping the formal and thematic struc- ture of several quite different plays . ( 2 ) ...
... True Chronicle His- torie was a remarkably pervasive presence in Shakes- peare's career for well over a decade and exercised con- siderable power in shaping the formal and thematic struc- ture of several quite different plays . ( 2 ) ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York