ני Of six preceding ancestors, that gem King. Methought, you said, You saw one here in court could witness it? He's quoted for a most perfidious slave, 5 King. She hath that ring of yours. Ber. I think, she has: certain it is, I lik'd her, Dia. I must be patient; And give me mine again. Ber. I have it not. King. What ring was yours, I pray you? Dia. Sir, much like The same upon your finger. King. Know you this ring? this ring was his of late. [5] Quoted has the same sense as noted, or observed. STEEV. [6] Every thing that obstructs love is an occasion by which love is heightened. And, to conclude, her solicitation concurring with her fashionable appearance, she got the ring. I am not certain that I have attained the true meaning of the word modern, which, perhaps, signifies rather meanly pretty. JOHNS. King. The story then goes false, you threw it him Out of a casement. Dia. I have spoke the truth. Enter PAROLLES. Ber. My lord, I do confess, the ring was hers. King. You boggle shrewdly, e very feather starts you. Is this the man you speak of? Dia. Ay, my lord. King. Tell me, sirrah, but, teli me true, I charge you, Not fearing the displeasure of your master, (Which, on your just proceeding, I'll keep off,) Par. So please your majesty, my master hath been an honourable gentleman; tricks he hath had in him, which gentlemen have. King. Come, come, to the purpose: Did he love this woman? Par. 'Faith, sir, he did love her: But how? King. How, I pray you ? Par. He did love her, sir, as a gentleman loves a woman. King. How is that? Par. He loved her, sir, and loved her not. King. As thou art a knave, and no knave :-What an equivocal companion is this? Par. I am a poor man, and at your majesty's command. King. But wilt thou not speak all thou know'st? Par. Yes, so please your majesty; I did go between them, as I said; but more than that, he loved her,-for, indeed, he was mad for her, and talked of Satan, and of limbo, and of furies, and I know not what: yet I was in that credit with them at that time, that I knew of their going to bed; and of other motions, as promising her marriage, and things that would derive me ill-will to speak of, therefore I will not speak what I know. King. Thou hast spoken all already, unless thou canst say they are married: But thou art too fine in thy evidence; 7 therefore, stand aside. - This ring, you say, was yours? Dia. Ay, my good lord. [7] Too fine, too full of finesse; too artful. A French expression-trop fine. MALONE. King. Where did you buy it? or who gave it you? Dia. It was not lent me neither. King. Where did you find it then? Dia. I found it not. King. If it were yours by none of all these ways, How could you give it him? Dia. I never gave it him. Laf. This woman's an easy glove, my lord; she goes off and on at pleasure. King. This ring was mine, I gave it his first wife. Dia. It might be yours, or hers, for aught I know. King. Take her away, I do not like her now; To prison with her: and away with him.Unless thou tell'st me where thou hadst this ring, Thou diest within this hour. Dia. I'll never tell you. King. Take her away. Dia. I'll put in bail, my liege. King. I think thee now some common customer. 8 Dia. By Jove, if ever I knew man, 'twas you. King. Wherefore hast thou accus'd him all this while? Dia. Because he's guilty, and he is not guilty; He knows I am no maid, and he'll swear to't: I'll swear, I am a maid, and he knows not. Great king, I am no strumpet, by my life; I am either maid, or else this old man's wife. [Pointing to LAFEU. King. She does abuse our ears; to prison with her. Dia. Good mother, fetch my bail.--Stay, royal sir; [Exit Widow. The jeweller, that owes the ring, is sent for, [8] i. e. a common woman. STEEV. [9] The dialogue is too long, since the audience already knew the whole transaction; nor is there any reason for puzzling the king and playing with his passions; but it was much easier than to make a pathetical interview between Helen and her husband, her mother, and the king. JOHNS. Dead though she be, she feels her young one kick; Re-enter Widow, with HELENA. King. Is there no exorcist1 Beguiles the truer office of mine eyes? Hel. No, my good lord; Ber. Both, both; O, pardon ! Hel. O, my good lord, when I was like this maid, Ber. If she, my liege, can make me know this clearly, I'll love her dearly, ever, ever dearly. Hel. If it appear not plain, and prove untrue, Laf. Mine eyes smell onions, I shall weep anon:--- [TO DIANA. [1] This word is used, not very properly, for enchanter. JOHNS. Shakspeare invariably uses the word exorcist, to imply a person who can raise spirits, not in the usual sense of one that can lay them. So, Ligarius, in Julius Cæsar, says "Thou, like an exorcist, hast conjur'd up Such was the common acceptation of the word in our author's time. So, Minshen, in his Dict. 1617: "The Conjurer seemeth by praiers and invocations of God's powerfull names, to compell the Devill to say or doe what he commandeth him. The Witch dealeth rather by a friendly and voluntarie conference or agreement between him or her and the Divell or Familiar, to hav e his or her turne served, in lieu or stead of blood or other gift offered unto him, especially of his or her soule:-And both these differ from Inchanters or Sorcerers. because the former two have personal conference with the Divell, and the other meddles but with medicines and ceremonial formes of words called charmes, without apparition." MALONE. : ! 84 ALL'S WELL THAT ENDS WELL. ACT V. Choose thou thy husband, and I'll pay thy dower; Advancing. [Flourish. The King's a beggar, now the play is done: [Exeunt. [2] The meaning is: Grant us then your patience; hear us without in. terruption. And take our parts; that is, support and defend us. JOHNS. |