Oral Interpretation

achieve action analysis appeal aspects attention attitude audience aware become begin body breath Carl Sandburg character close communication complete consider course direct effect elements emotional establish example experience expression eyes fact feeling final force give hand head HEDDA idea imagery important individual interesting interpreter keep light listeners living looked material meaning mind Miss move muscles never night opening oral pattern pause perhaps person physical pitch play poem poet poetry present problem prose reader relation remember response rhyme rhythm scene selection sense sentence sound speaking speech stand stanza stress structure suggestion technique tell tension thing thought tion tone turn unit usually vocal voice whole writing