Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Results 1-3 of 13
Page 256
... Ben Jonson , Loves Triumph , lines 78-81 , Ben Jonson , ed . C. H. Herford , Percy and Evelyn Simpson ( Oxford , 1925–1952 ) , VII , 738 . 10. Plato , Timaeus , 36E - 37A , tr . Rev. R. G. Bury , Loeb ed . , pp . 73-109 ; Phineas ...
... Ben Jonson , Loves Triumph , lines 78-81 , Ben Jonson , ed . C. H. Herford , Percy and Evelyn Simpson ( Oxford , 1925–1952 ) , VII , 738 . 10. Plato , Timaeus , 36E - 37A , tr . Rev. R. G. Bury , Loeb ed . , pp . 73-109 ; Phineas ...
Page 266
... Ben Jonson , Poetaster , IV.iii.79-82 , in Ben Jonson , IV , 268 ; Twelfth Night , II.iii.54-58 . 58. George Chapman , Ovids Banquet of Sence , stanza xxiii , Poems , ed . Phyllis Brooks Bartlett ( New York and London , 1941 ) , p . 59 ...
... Ben Jonson , Poetaster , IV.iii.79-82 , in Ben Jonson , IV , 268 ; Twelfth Night , II.iii.54-58 . 58. George Chapman , Ovids Banquet of Sence , stanza xxiii , Poems , ed . Phyllis Brooks Bartlett ( New York and London , 1941 ) , p . 59 ...
Page 278
... Ben Jonson used a chorus in his tragedy , Catiline , which was not a popular success , but " in the popular drama it never struck root , and the occasional introduction of a ' Chorus ' illustrates only the Elizabethan ingenuity in ...
... Ben Jonson used a chorus in his tragedy , Catiline , which was not a popular success , but " in the popular drama it never struck root , and the occasional introduction of a ' Chorus ' illustrates only the Elizabethan ingenuity in ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
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Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial chap choral chorus church classical composed Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote