Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 189
... ( Comus , 431-434 ; L'Adone , XII.77 ) Adonis arrives , finally , at the garden of the goddess of delights . Guarding the gateway is a serpent , who has been changed into that form by the goddess , and who represents , as did the ...
... ( Comus , 431-434 ; L'Adone , XII.77 ) Adonis arrives , finally , at the garden of the goddess of delights . Guarding the gateway is a serpent , who has been changed into that form by the goddess , and who represents , as did the ...
Page 189
... ( Comus , 431-434 ; L'Adone , XII.77 ) Adonis arrives , finally , at the garden of the goddess of delights . Guarding the gateway is a serpent , who has been changed into that form by the goddess , and who represents , as did the ...
... ( Comus , 431-434 ; L'Adone , XII.77 ) Adonis arrives , finally , at the garden of the goddess of delights . Guarding the gateway is a serpent , who has been changed into that form by the goddess , and who represents , as did the ...
Page 193
... Comus , by more courtly ballet , by music more soft than that of the warriors . After the rougher sports there are , as in Comus , Other trippings to be trod Of lighter toes , and such Court guise As Mercury did first devise . ( Comus ...
... Comus , by more courtly ballet , by music more soft than that of the warriors . After the rougher sports there are , as in Comus , Other trippings to be trod Of lighter toes , and such Court guise As Mercury did first devise . ( Comus ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York