Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
Results 1-3 of 82
Page
Gretchen Ludke Finney. r MUSICAL BACKGROUNDS FOR ENGLISH LITERATURE Musical Backgrounds for English Literature.
Gretchen Ludke Finney. r MUSICAL BACKGROUNDS FOR ENGLISH LITERATURE Musical Backgrounds for English Literature.
Page 256
... English Reprints ( London , 1868 ) , p . 26 ; Othello , II.i.202 . 7. See Thomas Dekker , The Honest Whore , Pt . I , V.ii.260–270 , The Dramatic Works , ed . Fredson Bowers ( Cambridge , Eng . , 1955 ) , II , 101 ; The Taming of the ...
... English Reprints ( London , 1868 ) , p . 26 ; Othello , II.i.202 . 7. See Thomas Dekker , The Honest Whore , Pt . I , V.ii.260–270 , The Dramatic Works , ed . Fredson Bowers ( Cambridge , Eng . , 1955 ) , II , 101 ; The Taming of the ...
Page 268
... English Poesie , chap I , in Elizabethan Critical Essays , ed . G. Gregory Smith ( Oxford , 1950 ) , II , 329. Cf. William Webbe , A Discourse of Englishe Poetrie , ibid . , I , 230 , and " E.K . " ' s gloss to Edmund Spenser ...
... English Poesie , chap I , in Elizabethan Critical Essays , ed . G. Gregory Smith ( Oxford , 1950 ) , II , 329. Cf. William Webbe , A Discourse of Englishe Poetrie , ibid . , I , 230 , and " E.K . " ' s gloss to Edmund Spenser ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York