Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
Results 1-3 of 62
Page 258
... Ficino's Commentary on Plato's Symposium , Third Speech , chap . I , and First Speech , chap III , pp . 148 , 128. Ficino's Commentarium in Convivium Platonis de amore first appeared in his translation of the works of Plato , the first ...
... Ficino's Commentary on Plato's Symposium , Third Speech , chap . I , and First Speech , chap III , pp . 148 , 128. Ficino's Commentarium in Convivium Platonis de amore first appeared in his translation of the works of Plato , the first ...
Page 263
... Ficino to Campanella ( London , 1958 ) , chap . I. The present study is greatly indebted to this book for translations of Ficino and for sixteenth- century Italian background . 11. Marsilio Ficino , De vita , III.iii , III.xxi , Opera ...
... Ficino to Campanella ( London , 1958 ) , chap . I. The present study is greatly indebted to this book for translations of Ficino and for sixteenth- century Italian background . 11. Marsilio Ficino , De vita , III.iii , III.xxi , Opera ...
Page 264
Gretchen Ludke Finney. 22. Walker , Spiritual and Demonic Magic from Ficino to Campa- nella , pp . 17 , 19–24 . Ficino gives rules for this music : " Find out what powers and effects any particular star has in itself , what positions and ...
Gretchen Ludke Finney. 22. Walker , Spiritual and Demonic Magic from Ficino to Campa- nella , pp . 17 , 19–24 . Ficino gives rules for this music : " Find out what powers and effects any particular star has in itself , what positions and ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
5 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody ment Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth-century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote