Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 247
... Henry Lang , Music in Western Civilization ( New York , 1941 ) , p . 60 . 57. Isidore of Seville , Etymologiarum sive originum libri xx , Bk . III , sec . 23 , in Source Readings in Music History , ed . Strunk , pp . 99-100 ; Scholia ...
... Henry Lang , Music in Western Civilization ( New York , 1941 ) , p . 60 . 57. Isidore of Seville , Etymologiarum sive originum libri xx , Bk . III , sec . 23 , in Source Readings in Music History , ed . Strunk , pp . 99-100 ; Scholia ...
Page 287
... Henry , 33-34 ( 56 ) , 126– 127 ( 2 ) , 136 ( 25 ) Lanier , Nicholas , 135 , 175 La Perrière , Guillaume de , 25 ( 19 ) Lauda spirituale , 232 Laudun d'Aigaliers , Pierre de , 278 ( 7 ) Lawes , Henry , 135 , 136 , 175 , 176 , 187. See ...
... Henry , 33-34 ( 56 ) , 126– 127 ( 2 ) , 136 ( 25 ) Lanier , Nicholas , 135 , 175 La Perrière , Guillaume de , 25 ( 19 ) Lauda spirituale , 232 Laudun d'Aigaliers , Pierre de , 278 ( 7 ) Lawes , Henry , 135 , 136 , 175 , 176 , 187. See ...
Page 290
... Henry , 230 ( 28 ) , 233 ( 35 ) , 276 ( 15 ) Prynne , William , 132 Psalm - singing , 56–57 , 60–61 Puritans , view of music , xi , 50 , 56 , 60-63 , 69-75 , 132–133 , 158 , 253 ( 42 , 43 ) Puttenham , George , 25 , 39 Pythagoras , ix ...
... Henry , 230 ( 28 ) , 233 ( 35 ) , 276 ( 15 ) Prynne , William , 132 Psalm - singing , 56–57 , 60–61 Puritans , view of music , xi , 50 , 56 , 60-63 , 69-75 , 132–133 , 158 , 253 ( 42 , 43 ) Puttenham , George , 25 , 39 Pythagoras , ix ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
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Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
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according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York