Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 176
... Italian intermezzo than by Italian opera , while they were not dramas but combinations of lyrics and dance , there had long been , in their performance , imitation of recitative style , which in itself reveals acknowledged debt to Italian ...
... Italian intermezzo than by Italian opera , while they were not dramas but combinations of lyrics and dance , there had long been , in their performance , imitation of recitative style , which in itself reveals acknowledged debt to Italian ...
Page 223
... Italians . Many historians of the Italian theater report a similar disappearance of chorus . A modern critic , for example , de- clares : " This suppression of the chorus [ in Italy ] is the most important innovation in the seventeenth ...
... Italians . Many historians of the Italian theater report a similar disappearance of chorus . A modern critic , for example , de- clares : " This suppression of the chorus [ in Italy ] is the most important innovation in the seventeenth ...
Page 236
... Italian melodramma and oratorio until and during his visit to Italy . Samson Agonistes might well have existed as it is without these seventeenth - century Italian productions . One could with justification trace its antecedents from ...
... Italian melodramma and oratorio until and during his visit to Italy . Samson Agonistes might well have existed as it is without these seventeenth - century Italian productions . One could with justification trace its antecedents from ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial chap choral chorus church classical composed Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote