Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 238
... Milton are to The Works of John Milton , ed . F. A. Patterson ( New York , 1931-1938 ) . PREFACE 1. Manfred F. Bukofzer , Music in the Baroque Era ( New York , 1947 ) , pp . 370–371 , 390 ff . 2. Ibid . , pp . 392-393 ; Manfred F ...
... Milton are to The Works of John Milton , ed . F. A. Patterson ( New York , 1931-1938 ) . PREFACE 1. Manfred F. Bukofzer , Music in the Baroque Era ( New York , 1947 ) , pp . 370–371 , 390 ff . 2. Ibid . , pp . 392-393 ; Manfred F ...
Page 263
... John Milton , Paradise Lost , V.469-490 . 8. George Hakewill , An Apologie of the Power and Providence of God in the Government of the World ( Oxford , 1627 ) , p . 39 . 9. Taylor , The Alchemists , pp . 117–121 . 10. D. P. Walker ...
... John Milton , Paradise Lost , V.469-490 . 8. George Hakewill , An Apologie of the Power and Providence of God in the Government of the World ( Oxford , 1627 ) , p . 39 . 9. Taylor , The Alchemists , pp . 117–121 . 10. D. P. Walker ...
Page 276
... Milton's poetry unintelligible . A chorus sing- ing any part of “ Lycidas " would have to chant or sing it in the ... John Milton ( London , 1874 ) , II , 269 . 12. The cantata , in so far as it is related to music drama , is also ...
... Milton's poetry unintelligible . A chorus sing- ing any part of “ Lycidas " would have to chant or sing it in the ... John Milton ( London , 1874 ) , II , 269 . 12. The cantata , in so far as it is related to music drama , is also ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
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Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody ment Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth-century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote