Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 243
... ( London , 1928 ) , I , 21 . 2. Sir Walter Ralegh , History of the World ( London , 1614 ) , p . 2 . 3. John Milton , Paradise Regain'd , IV.383-384 ; Robert Anton , The Philosophers Satyrs ( London , 1616 ) , sig . D. Sir Thomas Elyot ...
... ( London , 1928 ) , I , 21 . 2. Sir Walter Ralegh , History of the World ( London , 1614 ) , p . 2 . 3. John Milton , Paradise Regain'd , IV.383-384 ; Robert Anton , The Philosophers Satyrs ( London , 1616 ) , sig . D. Sir Thomas Elyot ...
Page 256
... ( London , 1622 ) , p . 164 , " preserveth people in concord and amitie . " It brought health to the body and quiet to the mind - each a kind of concord or love . That music effected friendship between people was admitted even by the ...
... ( London , 1622 ) , p . 164 , " preserveth people in concord and amitie . " It brought health to the body and quiet to the mind - each a kind of concord or love . That music effected friendship between people was admitted even by the ...
Page 272
... ( London , 1681 ) , pp . 111 , 119 . 47. Anthony Le Grand , An Entire Body of Philosophy , According to the Principles of the Famous Renate Des Cartes ( London , 1694 ) , Pt . II , chap . VII , pp . 39-40 . 48. Robert Boyle , The ...
... ( London , 1681 ) , pp . 111 , 119 . 47. Anthony Le Grand , An Entire Body of Philosophy , According to the Principles of the Famous Renate Des Cartes ( London , 1694 ) , Pt . II , chap . VII , pp . 39-40 . 48. Robert Boyle , The ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York