Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 195
Gretchen Ludke Finney. CHAPTER X A Musical Backround for " Lycidas " F all the poems of Milton , " Lycidas " has best withstood test the and flow of criticism . It remains for many the touchstone of poetic taste . Yet even those critics ...
Gretchen Ludke Finney. CHAPTER X A Musical Backround for " Lycidas " F all the poems of Milton , " Lycidas " has best withstood test the and flow of criticism . It remains for many the touchstone of poetic taste . Yet even those critics ...
Page 195
Gretchen Ludke Finney. CHAPTER X A Musical Backround for " Lycidas " F all the poems of Milton , " Lycidas " has best withstood test centuries , the and flow of criticism . It remains for many the touchstone of poetic taste . Yet even ...
Gretchen Ludke Finney. CHAPTER X A Musical Backround for " Lycidas " F all the poems of Milton , " Lycidas " has best withstood test centuries , the and flow of criticism . It remains for many the touchstone of poetic taste . Yet even ...
Page 215
... Lycidas " sings of " Lycidas sunk low , but mounted high ... in the blest Kingdoms meek of joy and love " where the saints " wipe the tears for ever from his eyes . " There is also in this " ascent " chorus a stanza which again recalls ...
... Lycidas " sings of " Lycidas sunk low , but mounted high ... in the blest Kingdoms meek of joy and love " where the saints " wipe the tears for ever from his eyes . " There is also in this " ascent " chorus a stanza which again recalls ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York