Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 34
... York , in his Correctorium alchimae ( c . 1348 ) , suggested that both the elements with which the alchemist worked and the projecting rays of the planets , which the astrologer believed dominated the lives of men , might be arranged ...
... York , in his Correctorium alchimae ( c . 1348 ) , suggested that both the elements with which the alchemist worked and the projecting rays of the planets , which the astrologer believed dominated the lives of men , might be arranged ...
Page 262
... York , 1932 ) , I , 148. See also Ruth Leila Anderson , Elizabethan Psychology and Shakespeare's Plays ( Iowa City , 1917 ) , pp . 10-12 . 3. F. Sherwood Taylor , The Alchemists ( New York , 1949 ) , p . 7 . 4. Aristotle , Meteorologica ...
... York , 1932 ) , I , 148. See also Ruth Leila Anderson , Elizabethan Psychology and Shakespeare's Plays ( Iowa City , 1917 ) , pp . 10-12 . 3. F. Sherwood Taylor , The Alchemists ( New York , 1949 ) , p . 7 . 4. Aristotle , Meteorologica ...
Page 290
... York , 34 Robinson , Thomas , 36 Rolle , Richard , 58 , 78 Rollenhagen , Gabriel , 250 ( 103 ) , 257 ( 23 ) Rolland , Romain , 228 ( 24 ) Romei , Annibale , 89-90 Ronsard , Pierre de , 134 , 261–262 ( 70 ) Rosicrucianism , 112 , 115 ...
... York , 34 Robinson , Thomas , 36 Rolle , Richard , 58 , 78 Rollenhagen , Gabriel , 250 ( 103 ) , 257 ( 23 ) Rolland , Romain , 228 ( 24 ) Romei , Annibale , 89-90 Ronsard , Pierre de , 134 , 261–262 ( 70 ) Rosicrucianism , 112 , 115 ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
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Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York