Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 13
... breath of God , for God " formed man of dust of the ground , and breathed into his nostrils the breath of life ; and man became a living soul . " " Thou art ... my pipe by reason of the breath of the Spirit . . . a beautiful , breathing ...
... breath of God , for God " formed man of dust of the ground , and breathed into his nostrils the breath of life ; and man became a living soul . " " Thou art ... my pipe by reason of the breath of the Spirit . . . a beautiful , breathing ...
Page 106
... breath of a musically proportioned universe , is musical . Conversely , music , because it images cosmic music , possesses or is spirit . The matter of song , writes Walker in summary of Ficino's De vita , " is ' warm air , even breathing ...
... breath of a musically proportioned universe , is musical . Conversely , music , because it images cosmic music , possesses or is spirit . The matter of song , writes Walker in summary of Ficino's De vita , " is ' warm air , even breathing ...
Page 120
... breath , there is an issue of spirits : Sound is a breath , voyce is a sound and animate breath ; Speech is a breath pronounced with sound , and a voyce signifying something ; the spirit of which proceedeth out of the mouth with sound ...
... breath , there is an issue of spirits : Sound is a breath , voyce is a sound and animate breath ; Speech is a breath pronounced with sound , and a voyce signifying something ; the spirit of which proceedeth out of the mouth with sound ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York