Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 223
... chorus , which commonly takes up more time in Singing than there has been employ'd in speaking . " The two points of view represent a basic conflict in ... chorus in France in the seventeenth century was Chorus in Samson Agonistes 223.
... chorus , which commonly takes up more time in Singing than there has been employ'd in speaking . " The two points of view represent a basic conflict in ... chorus in France in the seventeenth century was Chorus in Samson Agonistes 223.
Page 225
... chorus in Italian plays that confused pastoral and tragic elements . And the fact remains that the present discussion is concerned , not with a strict dramatic form , but with use of chorus . The strict classicist could find innumerable ...
... chorus in Italian plays that confused pastoral and tragic elements . And the fact remains that the present discussion is concerned , not with a strict dramatic form , but with use of chorus . The strict classicist could find innumerable ...
Page 278
... chorus . Corneille used chorus in Andromède , but this production " is rather an elaborate masque interspersed with regular dramatic scenes than a tragedy " ( George Saintsbury , A Short History of French Literature [ Oxford , 1917 ] ...
... chorus . Corneille used chorus in Andromède , but this production " is rather an elaborate masque interspersed with regular dramatic scenes than a tragedy " ( George Saintsbury , A Short History of French Literature [ Oxford , 1917 ] ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York
Bibliographic information
| Title | Musical Backgrounds for English Literature: 1580-1650 |
| Author | Gretchen Ludke Finney |
| Publisher | Rutgers University Press, 1962 |
| Original from | the University of California |
| Digitized | 15 Jul 2008 |
| Length | 292 pages |
| Export Citation | BiBTeX EndNote RefMan |