Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
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Page 27
... church music not only a resemblance to “ Halleluiahs above , the Quire and unitie which is in Heaven , " but an " Embleme of unity in the church " : 32 And as it is a representation of that Unitie above , so is it of concord and ...
... church music not only a resemblance to “ Halleluiahs above , the Quire and unitie which is in Heaven , " but an " Embleme of unity in the church " : 32 And as it is a representation of that Unitie above , so is it of concord and ...
Page 60
... church groups who defended all church ceremony , and the attacks upon it came from the Puritan elements , whether within or without the Church of Engand , who supported , as against ceremony , the value of Scripture and the sermon . 42 ...
... church groups who defended all church ceremony , and the attacks upon it came from the Puritan elements , whether within or without the Church of Engand , who supported , as against ceremony , the value of Scripture and the sermon . 42 ...
Page 61
... church . " " Concerning ... Vocal Church - Musick , such as they the enemies to instrumental music have made to themselves , " wrote Joseph Brookbank in 1660 , " that is received without quarrel , by them of more sound Principles ...
... church . " " Concerning ... Vocal Church - Musick , such as they the enemies to instrumental music have made to themselves , " wrote Joseph Brookbank in 1660 , " that is received without quarrel , by them of more sound Principles ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York
Bibliographic information
| Title | Musical Backgrounds for English Literature: 1580-1650 |
| Author | Gretchen Ludke Finney |
| Publisher | Rutgers University Press, 1962 |
| Original from | the University of California |
| Digitized | 15 Jul 2008 |
| Length | 292 pages |
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