Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 109
... divine spirit , not withdrawal of soul or spirit , man was made celestial . He need not even have a harmonious soul ... divine rites . " This they did by means of " herbs , stones and aromas , which have in them a natural divine power ...
... divine spirit , not withdrawal of soul or spirit , man was made celestial . He need not even have a harmonious soul ... divine rites . " This they did by means of " herbs , stones and aromas , which have in them a natural divine power ...
Page 165
... divine " ; those inclined to the voluptuous life descend to " desire to touch " ; those inclined to the practical life are content with the pleasure of seeing or hearing . The soul , he wrote , " sees the images of bodies shining in it ...
... divine " ; those inclined to the voluptuous life descend to " desire to touch " ; those inclined to the practical life are content with the pleasure of seeing or hearing . The soul , he wrote , " sees the images of bodies shining in it ...
Page 252
... divine vestigie of harmony , she embraced these , from them recollected divine harmony , and tends and is allied to it , and as much as possible participates of it . " 21. John Case , Praise of Musicke ( London , 1586 ) , p . 40 . 22 ...
... divine vestigie of harmony , she embraced these , from them recollected divine harmony , and tends and is allied to it , and as much as possible participates of it . " 21. John Case , Praise of Musicke ( London , 1586 ) , p . 40 . 22 ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York