Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 7
... elements of the universe , and on another of the four elements , the four temperaments , and the four humors of the human body . There was a further parallel with the four faculties of the soul . The treble string corresponded to fire ...
... elements of the universe , and on another of the four elements , the four temperaments , and the four humors of the human body . There was a further parallel with the four faculties of the soul . The treble string corresponded to fire ...
Page 8
... elements of the universe and of man as strings of an instrument also influenced the Elizabethan " world picture . " Christian writers of following centuries accepted these theories along with the speculative thinking of the early Greeks ...
... elements of the universe and of man as strings of an instrument also influenced the Elizabethan " world picture . " Christian writers of following centuries accepted these theories along with the speculative thinking of the early Greeks ...
Page 247
... elements and those in music . H. G. Farmer , " The Influence of Music : From Arabic Sources , " The Musical Association , London , Proceedings , 1925–1926 ( 1926 ) , 99. Avicenna , who with Galen provided medical canon for many ...
... elements and those in music . H. G. Farmer , " The Influence of Music : From Arabic Sources , " The Musical Association , London , Proceedings , 1925–1926 ( 1926 ) , 99. Avicenna , who with Galen provided medical canon for many ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York