Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
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Page 25
... emblems were in emblem books . An emblem was so called whether " embrodered in garmentes , graven in stone , enchased in golde , wrought in Arras . " " Mosaics were emblems revealing " what Rome , Greece , Palestine , ere said . ” ” 1 ...
... emblems were in emblem books . An emblem was so called whether " embrodered in garmentes , graven in stone , enchased in golde , wrought in Arras . " " Mosaics were emblems revealing " what Rome , Greece , Palestine , ere said . ” ” 1 ...
Page 43
... emblem writer applied to relationships between brethren , friends , and lovers . Henry Peacham , in Minerva Britanna ( 1612 ) , used a music manuscript to illustrate the juxtaposition of concord and discord , explaining that " the first ...
... emblem writer applied to relationships between brethren , friends , and lovers . Henry Peacham , in Minerva Britanna ( 1612 ) , used a music manuscript to illustrate the juxtaposition of concord and discord , explaining that " the first ...
Page 250
... emblems , The Soules Solace [ London , 1631 ] , p . 27 , describes man tuned by God's minister , and concludes ... emblem books Hercules was portrayed choosing between Virtue , holding a book , and Vice , with mask and lute . A ...
... emblems , The Soules Solace [ London , 1631 ] , p . 27 , describes man tuned by God's minister , and concludes ... emblem books Hercules was portrayed choosing between Virtue , holding a book , and Vice , with mask and lute . A ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
5 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody ment Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth-century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote