Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 117
... follows the oft - made apology for the use of magic : If this be magic , let it be an art Lawful as eating . Thaisa , wife of Pericles , is also brought to life with the help of music . " Death may usurp on nature many hours , " says ...
... follows the oft - made apology for the use of magic : If this be magic , let it be an art Lawful as eating . Thaisa , wife of Pericles , is also brought to life with the help of music . " Death may usurp on nature many hours , " says ...
Page 182
... follow her to the beautiful spot which she has prepared , tempting him , as Comus tries to tempt the Lady , with " Refreshment after toil " ( 686 ) : “ ristoro / Da i travagli la vita ” ( I. iii , p . 26 ) . Adonis follows her , hoping ...
... follow her to the beautiful spot which she has prepared , tempting him , as Comus tries to tempt the Lady , with " Refreshment after toil " ( 686 ) : “ ristoro / Da i travagli la vita ” ( I. iii , p . 26 ) . Adonis follows her , hoping ...
Page 208
... follows a section that serves to introduce the plot and the main characters of the story , made up of solos in contrasting moods and rhythms , sung in recitative or semi - recitative by one of a group of shepherds or nymphs , and of ...
... follows a section that serves to introduce the plot and the main characters of the story , made up of solos in contrasting moods and rhythms , sung in recitative or semi - recitative by one of a group of shepherds or nymphs , and of ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York