Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 109
... give life , since the dust of the earth became man when into it God breathed the " breath of life " ( Gen. 2 : 7 ) ? Authority for this use of music to infuse prophetic spirit , or to give life where none was before , was to be found in ...
... give life , since the dust of the earth became man when into it God breathed the " breath of life " ( Gen. 2 : 7 ) ? Authority for this use of music to infuse prophetic spirit , or to give life where none was before , was to be found in ...
Page 117
... give her air . Gentlemen , This queen will live . " Milton , too , knew his Hermetic philosophy . One of his imagined joys of solitude in " Il Penseroso " is that of watching starry constellations with " thrice great Hermes . " The Lady ...
... give her air . Gentlemen , This queen will live . " Milton , too , knew his Hermetic philosophy . One of his imagined joys of solitude in " Il Penseroso " is that of watching starry constellations with " thrice great Hermes . " The Lady ...
Page 151
... give pleasure . Descartes , in his Compendium of Music ( written in 1618 , but published only posthumously in 1650 ) ... gives a reason of these effects , ” he continued ( as Kircher did later ) : “ the spirits about the heart take in that ...
... give pleasure . Descartes , in his Compendium of Music ( written in 1618 , but published only posthumously in 1650 ) ... gives a reason of these effects , ” he continued ( as Kircher did later ) : “ the spirits about the heart take in that ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
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Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York