Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 101
... given way to the new science , metaphysics to physics , feeling to reason . Love and music were no longer identical , nor did one create the other . Before examining some of the trends that led to a changed view of music , however , it ...
... given way to the new science , metaphysics to physics , feeling to reason . Love and music were no longer identical , nor did one create the other . Before examining some of the trends that led to a changed view of music , however , it ...
Page 180
... given in Rome in the early part of the seventeenth century , there is one to which Comus has peculiar similarity , La catena d'Adone , by Ottavio Tronsarelli and Domenico Mazzocchi , performed and printed in Rome in 1626. Not only is ...
... given in Rome in the early part of the seventeenth century , there is one to which Comus has peculiar similarity , La catena d'Adone , by Ottavio Tronsarelli and Domenico Mazzocchi , performed and printed in Rome in 1626. Not only is ...
Page 187
... given a part corresponding to that of Adonis . Comus was played , probably , by a professional actor , since the role of Falsirena did not fit the young Egertons , and he absorbed the qualities and words of Idonia , the voice of evil ...
... given a part corresponding to that of Adonis . Comus was played , probably , by a professional actor , since the role of Falsirena did not fit the young Egertons , and he absorbed the qualities and words of Idonia , the voice of evil ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York
Bibliographic information
| Title | Musical Backgrounds for English Literature: 1580-1650 |
| Author | Gretchen Ludke Finney |
| Publisher | Rutgers University Press, 1962 |
| Original from | the University of California |
| Digitized | 15 Jul 2008 |
| Length | 292 pages |
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