Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 146
... heart , where they pitch at the doore , " whereupon the heart " ben- deth , either to prosecute it , or to eschewe it . " In fear the heart first contracts and forces the spirits out , whereupon nature , to succor it , sends to it heat ...
... heart , where they pitch at the doore , " whereupon the heart " ben- deth , either to prosecute it , or to eschewe it . " In fear the heart first contracts and forces the spirits out , whereupon nature , to succor it , sends to it heat ...
Page 154
... heart , even though feeling itself does not occur there . And these old ideas encumbered his physiopsycho- logical scheme . Since he did not admit the existence of a passage from ear directly to heart , and since he denied awareness of ...
... heart , even though feeling itself does not occur there . And these old ideas encumbered his physiopsycho- logical scheme . Since he did not admit the existence of a passage from ear directly to heart , and since he denied awareness of ...
Page 154
... heart , even though feeling itself does not occur there . And these old ideas encumbered his physiopsycho- logical scheme . Since he did not admit the existence of a passage from ear directly to heart , and since he denied awareness of ...
... heart , even though feeling itself does not occur there . And these old ideas encumbered his physiopsycho- logical scheme . Since he did not admit the existence of a passage from ear directly to heart , and since he denied awareness of ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
5 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody ment Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth-century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote