Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 107
... influence to man , whose spirits respond to it by natural sympathy . The influence of stars and planets on the physical world was rarely questioned , even though a Cassius might exclaim : The fault , dear Brutus , is not in our stars ...
... influence to man , whose spirits respond to it by natural sympathy . The influence of stars and planets on the physical world was rarely questioned , even though a Cassius might exclaim : The fault , dear Brutus , is not in our stars ...
Page 108
... influence of the sun's rays . This notion is the basis of Hamlet's advice to Polonius . Hamlet enters reading , “ For if the sun breed maggots in a dead dog , being a god kissing carrion- " whereupon he breaks off , and asks , “ Have ...
... influence of the sun's rays . This notion is the basis of Hamlet's advice to Polonius . Hamlet enters reading , “ For if the sun breed maggots in a dead dog , being a god kissing carrion- " whereupon he breaks off , and asks , “ Have ...
Page 137
... influence here , too , than is usually recognized . The length , coherence , and seriousness of Carew's masque may well result from Italian influence . It was Milton , however , who seems to have grasped most completely the essence of ...
... influence here , too , than is usually recognized . The length , coherence , and seriousness of Carew's masque may well result from Italian influence . It was Milton , however , who seems to have grasped most completely the essence of ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York