Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 5
... instrument . ” Man is a pipe " by reason of the breath of God , " and Christ , too , since man was made in His image . But man - made instruments , which were associated with pagan worship , " those lifeless instruments of lyre and harp ...
... instrument . ” Man is a pipe " by reason of the breath of God , " and Christ , too , since man was made in His image . But man - made instruments , which were associated with pagan worship , " those lifeless instruments of lyre and harp ...
Page 6
... instrument , after His own image ; and assuredly He himself is an all - harmonious instrument of God , melodious and holy . " The musical instruments recommended in the Old Testament were interpreted by patristic writers and by later ...
... instrument , after His own image ; and assuredly He himself is an all - harmonious instrument of God , melodious and holy . " The musical instruments recommended in the Old Testament were interpreted by patristic writers and by later ...
Page 13
... instruments . From the Latin organum , it indicated both " instrument " in the general sense of tool or implement and musical instrument , either pipe or large organ , " and also an instrument of the senses , a bodily organ ...
... instruments . From the Latin organum , it indicated both " instrument " in the general sense of tool or implement and musical instrument , either pipe or large organ , " and also an instrument of the senses , a bodily organ ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York
Bibliographic information
| Title | Musical Backgrounds for English Literature: 1580-1650 |
| Author | Gretchen Ludke Finney |
| Publisher | Rutgers University Press, 1962 |
| Original from | the University of California |
| Digitized | 15 Jul 2008 |
| Length | 292 pages |
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