Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 137
... Masque at White - hall , anno 1633 , " reveals similar influence . The argumentative tone , the speech rhythms , the broken lines , could not have been set by the regular rhythms and strophic form of the ayre : Quest . By what power was ...
... Masque at White - hall , anno 1633 , " reveals similar influence . The argumentative tone , the speech rhythms , the broken lines , could not have been set by the regular rhythms and strophic form of the ayre : Quest . By what power was ...
Page 176
... masque , and , in spite of lovely lyric pas- sages , not , one would suppose , the sort of work with which Milton , as an ambitious poet , would have been content . Comus is a drama , " complete and of a certain magnitude ...
... masque , and , in spite of lovely lyric pas- sages , not , one would suppose , the sort of work with which Milton , as an ambitious poet , would have been content . Comus is a drama , " complete and of a certain magnitude ...
Page 176
... masque , and , in spite of lovely lyric pas- sages , not , one would suppose , the sort of work with which Milton , as an ambitious poet , would have been content . Comus is a drama , " complete and of a certain magnitude ...
... masque , and , in spite of lovely lyric pas- sages , not , one would suppose , the sort of work with which Milton , as an ambitious poet , would have been content . Comus is a drama , " complete and of a certain magnitude ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
5 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody ment Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth-century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote