Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
Results 1-3 of 73
Page 86
... mind . In spite of his initial statements to the contrary in the De amore , he concluded finally , even there , that " all love begins with sight . ” In a letter to Pellegrino de Gl'Agli ( although he paid tribute to the image of divine ...
... mind . In spite of his initial statements to the contrary in the De amore , he concluded finally , even there , that " all love begins with sight . ” In a letter to Pellegrino de Gl'Agli ( although he paid tribute to the image of divine ...
Page 120
... mind , imagination , and heart of the performer , they " move the phantasy , affect the heart and penetrate into the deep recesses of the mind . " 52 Agrippa made a point of prefacing his repetition of this latter assertion by Ficino ...
... mind , imagination , and heart of the performer , they " move the phantasy , affect the heart and penetrate into the deep recesses of the mind . " 52 Agrippa made a point of prefacing his repetition of this latter assertion by Ficino ...
Page 152
... mind . It brings " to the tympanum of the ear a stimulus which the mind translates into sound . " " He wrote elsewhere : If the ears , the tongue , and the nostrils were taken away , the figure , the numbers , and the motions would ...
... mind . It brings " to the tympanum of the ear a stimulus which the mind translates into sound . " " He wrote elsewhere : If the ears , the tongue , and the nostrils were taken away , the figure , the numbers , and the motions would ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York
Bibliographic information
| Title | Musical Backgrounds for English Literature: 1580-1650 |
| Author | Gretchen Ludke Finney |
| Publisher | Rutgers University Press, 1962 |
| Original from | the University of California |
| Digitized | 15 Jul 2008 |
| Length | 292 pages |
| Export Citation | BiBTeX EndNote RefMan |