Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 79
... move with sounding qualitie.1o As readers of Donne know well , love , too , makes circles that resemble the motion of the spheres : If , as in water stir'd more circles bee Produc'd by one , love such additions take , Those like so many ...
... move with sounding qualitie.1o As readers of Donne know well , love , too , makes circles that resemble the motion of the spheres : If , as in water stir'd more circles bee Produc'd by one , love such additions take , Those like so many ...
Page 148
... moved , and they in turn move the muscles or restrain them . They may even mount up under the soul to elevate it . The reason that Scaliger gave for this motion was disappointingly traditional . Spirits move in correspondence to air by ...
... moved , and they in turn move the muscles or restrain them . They may even mount up under the soul to elevate it . The reason that Scaliger gave for this motion was disappointingly traditional . Spirits move in correspondence to air by ...
Page 150
... move , not for the reason that two instruments sound in sympathy , but for the same reason that one responds to the physical sensation of tickling , from the fact that The very sound it selfe , which according to the best philosophie ...
... move , not for the reason that two instruments sound in sympathy , but for the same reason that one responds to the physical sensation of tickling , from the fact that The very sound it selfe , which according to the best philosophie ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York