Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 204
... pastoral . These two lines are marked by an interesting change of rhythm . The first line and a half are recitative , as was the preceding passage . The last half line is lighter in style and carries on into the lyrical passage that ...
... pastoral . These two lines are marked by an interesting change of rhythm . The first line and a half are recitative , as was the preceding passage . The last half line is lighter in style and carries on into the lyrical passage that ...
Page 204
... pastoral . These two lines are marked by an interesting change of rhythm . The first line and a half are recitative , as was the preceding passage . The last half line is lighter in style and carries on into the lyrical passage that ...
... pastoral . These two lines are marked by an interesting change of rhythm . The first line and a half are recitative , as was the preceding passage . The last half line is lighter in style and carries on into the lyrical passage that ...
Page 208
... pastoral setting and is unfolded by a series of arias and passages in recitative , with choral elaboration . At the end there may be an epilogue or a balletto to be danced and sung by the chorus . Act division is implied , although not ...
... pastoral setting and is unfolded by a series of arias and passages in recitative , with choral elaboration . At the end there may be an epilogue or a balletto to be danced and sung by the chorus . Act division is implied , although not ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York
Bibliographic information
| Title | Musical Backgrounds for English Literature: 1580-1650 |
| Author | Gretchen Ludke Finney |
| Publisher | Rutgers University Press, 1962 |
| Original from | the University of California |
| Digitized | 15 Jul 2008 |
| Length | 292 pages |
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