Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page ix
... performance - methods of singing or playing - musica practica . Speculative music dealt with the nature of sound , with the position and function of music in the entire system of human knowledge , and with music's usefulness to man . It ...
... performance - methods of singing or playing - musica practica . Speculative music dealt with the nature of sound , with the position and function of music in the entire system of human knowledge , and with music's usefulness to man . It ...
Page 230
... performance , for he acknowledged debt to the market scene in the preface to his own poem , La Fiera . Leonora Baroni , the famous singer to whom Milton wrote the Latin poems , was probably not present on this occasion , for Ademollo ...
... performance , for he acknowledged debt to the market scene in the preface to his own poem , La Fiera . Leonora Baroni , the famous singer to whom Milton wrote the Latin poems , was probably not present on this occasion , for Ademollo ...
Page 276
... performance each spectator was given a printed copy of the libretto . See Henry Prunières , Monteverdi , His Life and Work , tr . Marie D. Mackie ( London and Toronto , 1926 ) , p . 57. Gabriello Chiabrera , Il pianto d'Orfeo ...
... performance each spectator was given a printed copy of the libretto . See Henry Prunières , Monteverdi , His Life and Work , tr . Marie D. Mackie ( London and Toronto , 1926 ) , p . 57. Gabriello Chiabrera , Il pianto d'Orfeo ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York
Bibliographic information
| Title | Musical Backgrounds for English Literature: 1580-1650 |
| Author | Gretchen Ludke Finney |
| Publisher | Rutgers University Press, 1962 |
| Original from | the University of California |
| Digitized | 15 Jul 2008 |
| Length | 292 pages |
| Export Citation | BiBTeX EndNote RefMan |