Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 102
... philosophy , that body of literature so filled with astrological , cabalistic , alchemical , and Neoplatonic notions that was compiled during the first few centuries after Christ and attributed to Hermes Trismegistus . The other was ...
... philosophy , that body of literature so filled with astrological , cabalistic , alchemical , and Neoplatonic notions that was compiled during the first few centuries after Christ and attributed to Hermes Trismegistus . The other was ...
Page 169
... philosophy , in which there is no surfeit by which man may “ sicken and so die " : How charming is divine Philosophy ! Not harsh , and crabbed as dull fools suppose , But musical as is Apollo's lute , And a perpetual feast of nectar'd ...
... philosophy , in which there is no surfeit by which man may “ sicken and so die " : How charming is divine Philosophy ! Not harsh , and crabbed as dull fools suppose , But musical as is Apollo's lute , And a perpetual feast of nectar'd ...
Page 272
... Philosophy ( 1644 ) , Pt . IV , principle CLXXXIX ; and The Passions of the Soul ( 1645-1646 ) , art . XXXI , in Philosophical Works , ed . E. S. Haldane and G. R. T. Ross ( Cambridge , Eng . , 1911–1912 ) , I , 289 , 345–346 . 43 ...
... Philosophy ( 1644 ) , Pt . IV , principle CLXXXIX ; and The Passions of the Soul ( 1645-1646 ) , art . XXXI , in Philosophical Works , ed . E. S. Haldane and G. R. T. Ross ( Cambridge , Eng . , 1911–1912 ) , I , 289 , 345–346 . 43 ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York