Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
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Page 18
... Poetry and Poetic Licence , he could be " pleased with the image , without being cozened by the fiction . " 51 The image recurred , however , in the final few years of the century , in arguments over the value of the organ in church ...
... Poetry and Poetic Licence , he could be " pleased with the image , without being cozened by the fiction . " 51 The image recurred , however , in the final few years of the century , in arguments over the value of the organ in church ...
Page 39
... poetry too must be based . In this idea , Campion concurred : " The world is made by Simmetry and proportion , and is in that respect compared to Musick , and Musick to Poetry . ” He too had in mind mathematical quantities similar in ...
... poetry too must be based . In this idea , Campion concurred : " The world is made by Simmetry and proportion , and is in that respect compared to Musick , and Musick to Poetry . ” He too had in mind mathematical quantities similar in ...
Page 133
... Poets , Artem qui tractant musicam , confounding Musick and Poesy together . " " Orpheus and Amphion were looked upon as poets , not musicians ; it was poetry that accomplished those miracles sometimes attributed to harmony . Poetry ...
... Poets , Artem qui tractant musicam , confounding Musick and Poesy together . " " Orpheus and Amphion were looked upon as poets , not musicians ; it was poetry that accomplished those miracles sometimes attributed to harmony . Poetry ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York
Bibliographic information
| Title | Musical Backgrounds for English Literature: 1580-1650 |
| Author | Gretchen Ludke Finney |
| Publisher | Rutgers University Press, 1962 |
| Original from | the University of California |
| Digitized | 15 Jul 2008 |
| Length | 292 pages |
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