Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
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Page 71
... question of the nature of music . The immediate controversy was occasioned by the installation of an organ at Tiverton in Devon in 1696 , and involved John Newte , who preached the sermon in praise of organs on that occasion , the ...
... question of the nature of music . The immediate controversy was occasioned by the installation of an organ at Tiverton in Devon in 1696 , and involved John Newte , who preached the sermon in praise of organs on that occasion , the ...
Page 83
... questions then arose . What is beauty ? Does music possess beauty ? If it does , can man , by love of beauty in music , elevate his soul to God ? This age - old question of the nature of beauty , which has never been satisfactorily ...
... questions then arose . What is beauty ? Does music possess beauty ? If it does , can man , by love of beauty in music , elevate his soul to God ? This age - old question of the nature of beauty , which has never been satisfactorily ...
Page 144
... question much debated . Crooke thought it similar , at least , to animal spirit . At any rate , it was by means of this airlike substance that motion was transmitted to the auditory nerves leading to the 144 Musical Backgrounds for ...
... question much debated . Crooke thought it similar , at least , to animal spirit . At any rate , it was by means of this airlike substance that motion was transmitted to the auditory nerves leading to the 144 Musical Backgrounds for ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York