Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
Results 1-3 of 61
Page 6
... reason of the music , my pipe by reason of the breath of the Spirit , my temple by reason of the Word .... The Lord fashioned man a beautiful , breathing instrument , after His own image ; and assuredly He himself is an all - harmonious ...
... reason of the music , my pipe by reason of the breath of the Spirit , my temple by reason of the Word .... The Lord fashioned man a beautiful , breathing instrument , after His own image ; and assuredly He himself is an all - harmonious ...
Page 44
... reason , by other people , or by God . On this parallel emblem writers and others platitudinized often and at length . Henry Hawkins , in his Partheneia Sacra ( 1633 ) , argued the necessity of intelligent performance of the reason ...
... reason , by other people , or by God . On this parallel emblem writers and others platitudinized often and at length . Henry Hawkins , in his Partheneia Sacra ( 1633 ) , argued the necessity of intelligent performance of the reason ...
Page 148
... reason that Scaliger gave for this motion was disappointingly traditional . Spirits move in correspondence to air by the law of sympathy , and the analogy that he used was that of the proverbial two instruments sounding sympathetically ...
... reason that Scaliger gave for this motion was disappointingly traditional . Spirits move in correspondence to air by the law of sympathy , and the analogy that he used was that of the proverbial two instruments sounding sympathetically ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York