Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
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Page 4
... similar musical characteristics . Man's world , his body , his natural environment , were also like musical instruments and could produce a harmony similar both to that of the universe and to that of heard music . Plotinus , having ...
... similar musical characteristics . Man's world , his body , his natural environment , were also like musical instruments and could produce a harmony similar both to that of the universe and to that of heard music . Plotinus , having ...
Page 147
... similar tale related by the Danish writer , Saxo Grammaticus , of a musician who , asked by Henry II of Denmark to demonstrate his prowess , put the king first into deep melancholy and then into such a rage that he slew four of his ...
... similar tale related by the Danish writer , Saxo Grammaticus , of a musician who , asked by Henry II of Denmark to demonstrate his prowess , put the king first into deep melancholy and then into such a rage that he slew four of his ...
Page 185
... similar in rhyme scheme to one of the choruses in that group , where one finds the abc bcb dd ee fb rhyme of La catena d'Adone compared to the aab ccb dd ee fg of Comus . One notes , also , the pastoral quality of both : Qui d'or la ...
... similar in rhyme scheme to one of the choruses in that group , where one finds the abc bcb dd ee fb rhyme of La catena d'Adone compared to the aab ccb dd ee fg of Comus . One notes , also , the pastoral quality of both : Qui d'or la ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
7 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York