Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 139
... sound also challenged its innate virtues . The effects of music , it was said , do not derive either from sound itself , no matter how harmonious , or from the projected feeling of the performer , but from the motion of air set up by sound ...
... sound also challenged its innate virtues . The effects of music , it was said , do not derive either from sound itself , no matter how harmonious , or from the projected feeling of the performer , but from the motion of air set up by sound ...
Page 141
... sound , sound was thought to have a reality of its own apart from its medium . Today the word " sound " is used to describe both external motion of the air ( the primary characteristic ) and also the effect of that motion in the mind ...
... sound , sound was thought to have a reality of its own apart from its medium . Today the word " sound " is used to describe both external motion of the air ( the primary characteristic ) and also the effect of that motion in the mind ...
Page 143
... sound apart from the effect of sound itself . “ The point which Ficino always emphasizes , " writes D. P. Walker , “ is that music has stronger effect than anything transmitted through the other senses , because its medium , air , is of ...
... sound apart from the effect of sound itself . “ The point which Ficino always emphasizes , " writes D. P. Walker , “ is that music has stronger effect than anything transmitted through the other senses , because its medium , air , is of ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
5 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody ment Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth-century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote