Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 130
Gretchen Ludke Finney. speech , discourse , reason , or soul . " " The lute was thus no image of the cosmos ... speech . " The composer Gagliano called this style a manner " di recitare cantando " -hence the term " recitative ...
Gretchen Ludke Finney. speech , discourse , reason , or soul . " " The lute was thus no image of the cosmos ... speech . " The composer Gagliano called this style a manner " di recitare cantando " -hence the term " recitative ...
Page 226
... speeches and odes , we face another interesting problem . Milton's drama has ten speeches of the Chorus between five and ten lines in length . This circumstance , which the reader is likely to take for granted , is extremely rare in ...
... speeches and odes , we face another interesting problem . Milton's drama has ten speeches of the Chorus between five and ten lines in length . This circumstance , which the reader is likely to take for granted , is extremely rare in ...
Page 258
... Speech , chap IV , Fifth Speech , chaps . II and VI , pp . 130 , 167 , 175 . 31. Ibid . , Sixth Speech , chap . II , pp . 183-184 . 32. Ibid . , Chap . VI , p . 189 . 33. Valency , In Praise of Love , p . 150 . 34. Marsilio Ficino's ...
... Speech , chap IV , Fifth Speech , chaps . II and VI , pp . 130 , 167 , 175 . 31. Ibid . , Sixth Speech , chap . II , pp . 183-184 . 32. Ibid . , Chap . VI , p . 189 . 33. Valency , In Praise of Love , p . 150 . 34. Marsilio Ficino's ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody ment Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth-century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote