Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 130
Gretchen Ludke Finney. speech , discourse , reason , or soul . " The lute was thus no image of the cosmos . Those ... speech . " The composer Gagliano called this style a manner " di recitare cantando " -hence the term " recitative ...
Gretchen Ludke Finney. speech , discourse , reason , or soul . " The lute was thus no image of the cosmos . Those ... speech . " The composer Gagliano called this style a manner " di recitare cantando " -hence the term " recitative ...
Page 226
... speeches and odes , we face another interesting problem . Milton's drama has ten speeches of the Chorus between five and ten lines in length . This circumstance , which the reader is likely to take for granted , is extremely rare in ...
... speeches and odes , we face another interesting problem . Milton's drama has ten speeches of the Chorus between five and ten lines in length . This circumstance , which the reader is likely to take for granted , is extremely rare in ...
Page 258
... Speech , chap IV , Fifth Speech , chaps . II and VI , pp . 130 , 167 , 175 . 31. Ibid . , Sixth Speech , chap . II , pp . 183-184 . 32. Ibid . , Chap . VI , p . 189 . 33. Valency , In Praise of Love , p . 150 . 34. Marsilio Ficino's ...
... Speech , chap IV , Fifth Speech , chaps . II and VI , pp . 130 , 167 , 175 . 31. Ibid . , Sixth Speech , chap . II , pp . 183-184 . 32. Ibid . , Chap . VI , p . 189 . 33. Valency , In Praise of Love , p . 150 . 34. Marsilio Ficino's ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York