Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 68
... things , which is a task for our intellectual powers alone ; that over - complicated music " leaves the spirituall faculties un- touch'd " ; and that the ideal lies in " a sober mediocritie and grave mixture of Tune with Ditty . " It is ...
... things , which is a task for our intellectual powers alone ; that over - complicated music " leaves the spirituall faculties un- touch'd " ; and that the ideal lies in " a sober mediocritie and grave mixture of Tune with Ditty . " It is ...
Page 73
... Things ? Or why should they deny the Experience of so many Heathens , who ... receiv'd the same Practice of Instrumental Musick on account of the Devotion they pretended to feel rais'd in themselves by it , in their several false ...
... Things ? Or why should they deny the Experience of so many Heathens , who ... receiv'd the same Practice of Instrumental Musick on account of the Devotion they pretended to feel rais'd in themselves by it , in their several false ...
Page 77
... things and made them " pregnant still with powrefull grace . " The earthly counterpart of Love governed man , giving him life and fertility and attracting him to others of his kind . By " sympathy , " a manifestation of love , all things ...
... things and made them " pregnant still with powrefull grace . " The earthly counterpart of Love governed man , giving him life and fertility and attracting him to others of his kind . By " sympathy , " a manifestation of love , all things ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
5 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody ment Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth-century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote