Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
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Page 12
... tune by Adam who ... being chief of all the strings Of this large Lute , o'r - retched , quickly brings All out of tune . 32 John Donne imagined the broken string of this once - perfect lute replaced by the Messiah : " We may say the ...
... tune by Adam who ... being chief of all the strings Of this large Lute , o'r - retched , quickly brings All out of tune . 32 John Donne imagined the broken string of this once - perfect lute replaced by the Messiah : " We may say the ...
Page 32
... tune , we do not presently breake all the strings , but reduce and tune those , which are out of tune . ' >> 50 From the book of music Renaissance man learned many things about those " sweet Societies that sing " in Paradise and about ...
... tune , we do not presently breake all the strings , but reduce and tune those , which are out of tune . ' >> 50 From the book of music Renaissance man learned many things about those " sweet Societies that sing " in Paradise and about ...
Page 44
... tune : Since I am coming to that Holy roome , Where , with thy Quire of Saints for evermore , I shall be made thy Musique ; As I come I tune the Instrument here at the dore , And what I must doe then , thinke here before . " 7 In ...
... tune : Since I am coming to that Holy roome , Where , with thy Quire of Saints for evermore , I shall be made thy Musique ; As I come I tune the Instrument here at the dore , And what I must doe then , thinke here before . " 7 In ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
5 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody ment Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth-century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote