Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
From inside the book
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Page 208
... turn sing , but do not act , their parts . The theme is usually Biblical rather than pastoral . The method , at least , is the same in " Lycidas " as in oratorio , for the narrator presents other speakers - the Herald of the Sea , Camus ...
... turn sing , but do not act , their parts . The theme is usually Biblical rather than pastoral . The method , at least , is the same in " Lycidas " as in oratorio , for the narrator presents other speakers - the Herald of the Sea , Camus ...
Page 202
... turns to announce a new episode : Down Reason , then , at least vain reasonings down , Though Reason here aver That moral ... turn . In general , there are here two recitative styles , one for the shepherd - narrator , another for the ...
... turns to announce a new episode : Down Reason , then , at least vain reasonings down , Though Reason here aver That moral ... turn . In general , there are here two recitative styles , one for the shepherd - narrator , another for the ...
Page 208
... turn sing , but do not act , their parts . The theme is usually Biblical rather than pastoral . The method , at least , is the same in “ Lycidas ” as in oratorio , for the narrator presents other speakers — the Herald of the Sea , Camus ...
... turn sing , but do not act , their parts . The theme is usually Biblical rather than pastoral . The method , at least , is the same in “ Lycidas ” as in oratorio , for the narrator presents other speakers — the Herald of the Sea , Camus ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Copyright | |
5 other sections not shown
Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody ment Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth-century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote