Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 pages The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Page 167
... verse with sound of voice or instrument . The " Sisters , Voice , and Vers " in a uniting of " divine Sounds " imaged , by their " mixt power , " the " undisturbed Song of pure concent " ; " Lydian Aires , / Married to immortal verse ...
... verse with sound of voice or instrument . The " Sisters , Voice , and Vers " in a uniting of " divine Sounds " imaged , by their " mixt power , " the " undisturbed Song of pure concent " ; " Lydian Aires , / Married to immortal verse ...
Page 167
... verse with sound of voice or instrument . The " Sisters , Voice , and Vers ” in a uniting of “ divine Sounds " imaged , by their " mixt power , " the " undisturbed Song of pure concent " ; " Lydian Aires , / Married to immortal verse ...
... verse with sound of voice or instrument . The " Sisters , Voice , and Vers ” in a uniting of “ divine Sounds " imaged , by their " mixt power , " the " undisturbed Song of pure concent " ; " Lydian Aires , / Married to immortal verse ...
Page 275
... Verse ( Oxford , 1954 ) , p . 69 . 12. The allegory of L'Adone , although it was appended to the work by Don Lorenzo Scoto , was always printed with the poem and is here treated as a part of it . 13. It is significant , too , that Carew ...
... Verse ( Oxford , 1954 ) , p . 69 . 12. The allegory of L'Adone , although it was appended to the work by Don Lorenzo Scoto , was always printed with the poem and is here treated as a part of it . 13. It is significant , too , that Carew ...
Contents
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Copyright | |
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Other editions - View all
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney No preview available - 2018 |
Common terms and phrases
according Adonis ancient beauty body breath called carried catena d'Adone cause century chorus church classical completely composed Comus dance described divine drama early effects elements Elizabethan emotions English entirely especially explained feeling Ficino follows give given Greek harmony hear heart heaven Henry human idea imagined influence instrument interest Italian Italy John kind later Lawes less lines London lost Lycidas means melody Milton mind motion move musician nature notes organ Orpheus parallel passage passions pastoral performance person philosophy Plato play poem poet poetry possible present produced proportion question reason recitative rhythm Rome Samson sense similar singing song soul sound speech spirit strings style suggests sung sweet theory things Thomas thought tion tune turn universe verse voice whole writing written wrote York