Description, Sign, Self, Desire: Critical Theory in the Wake of Semiotics

Achilles actants action actually Aigues albeit analysis appear attempt Balzac Barthes become Brémond burlesque Chapter character cliché communication Comus concept consciousness context criticism culture Daphnis and Chloe defined deixis desire difference Dionysos discourse display emphasize Encyclopédie epic episode example farce fiction Flaubert Freud function Greimas grotesque hand Hephaistos hero Homer Iliad illusion instance Lady language linguistic literary literature logical Longus Madame Bovary masking masque meaning metonymy Middlemarch Milton mimesis Montaigne Montcornet narrative narrative process narrator nature novel Nymphs object painting paranarrative Paris particular pastoral peasants Philostratus pleasure poetic possible problem reader reading reality reference referential relation remains representation rhetoric Riffaterre Rimbaud ritual roles Scamander scene Schreber's semantic sememes semiology semiostylistic semiotic semiotician sense sequence shepherds shield signified signs simply specific story structure stylistic suggest symbolic syntactic theory tion Todorov tradition whole words writing