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bey. It was executed by Nollekens, and consisted simply of a bust of the poet in profile, in high relief, in a medallion, and was placed in the area of a pointed arch, over the south door in Poet's Corner, between the monuments of Gay and the Duke of Argyle. Johnson furnished a Latin epitaph, which was read at the table of Sir Joshua Reynolds, where several members of the club and other friends of the deceased were present. Though considered by them a masterly composition, they thought the literary character of the poet not defined with sufficient exactness, and they preferred that the epitaph should be in English rather than Latin, as 66 the memory of so eminent an English writer ought to be perpetuated in the language to which his works were likely to be so lasting an ornament."

These objections were reduced to writing, to be respectfully submitted to Johnson, but such was the awe entertained of his frown, that every one shrank from putting his name first to the instrument; whereupon their names were written about it in a circle, making what mutinous sailors call a Round Robin. Johnson received it half graciously, half grimly. "He was willing," he said, "to modify the sense of the epitaph in any manner the gentlemen pleased; but he never would consent to disgrace the walls of Westminster Abbey with an English inscription." Seeing the names of Dr. Warton and Edmund Burke among the signers, "he wondered," he said, "that Joe Warton, a scholar by profession, should be such a fool; and should have thought that Mund Burke would

CONCLUDING REMARKS.

427

and we question whether he himself would not feel gratified in hearing his reader, after dwelling with admiration on the proofs of his greatness, close the volume with the kind-hearted phrase, so fondly and familiarly ejaculated, of "POOR GOLDSMITH."

THE END.

tion on his writings; their merits have long since been fully discussed, and their station in the scale of literary merit permanently established. They have outlasted generations of works of higher power and wider scope, and will continue to outlast succeeding generations, for they have that magic charm of style by which works are embalmed to perpetuity. Neither shall we attempt a regular analysis of the character of the poet, but will indulge in a few desultory remarks in addition to those scattered throughout the preceding chapters.

Never was the trite, because sage apophthegm, that "The child is father to the man," more fully verified than in the case of Goldsmith. He is shy, awkward, and blundering in childhood, yet full of sensibility; he is a butt for the jeers and jokes of his companions, but apt to surprise and confound them by sudden and witty repartees; he is dull and stupid at his tasks, yet an eager and intelligent devourer of the travelling tales and campaign.

Whether smiles were to be moved
Or tears,

A powerful yet gentle master;
In genius, sublime, vivid, versatile,
In style, elevated, clear, elegant —
The love of companions,

The fidelity of friends,

And the veneration of readers,

Have by this monument honored the memory.

He was born in Ireland,

At a place called Pallas,

[In the parish] of Forney, [and county] of Longford,
On the 29th Nov., 1731,

Educated at [the University of] Dublin,
And died in London,

4th April, 1774.

CONCLUDING REMARKS.

419

ing stories of his half military pedagogue; he may be a dunce, but he is already a rhymer; and his early scintillations of poetry awaken the expectations of his friends. He seems from infancy to have been compounded of two natures, one bright, the other blundering; or to have had fairy gifts laid in his cradle by the " good people" who haunted his birthplace, the old goblin mansion on the banks of the Inny.

His

He carries with him the wayward elfin spirit, if we may so term it, throughout his career. fairy gifts are of no avail at school, academy, or college: they unfit him for close study and practical science, and render him heedless of everything that does not address itself to his poetical imagination and genial and festive feelings; they dispose him to break away from restraint, to stroll about hedges, green lanes, and haunted streams, to revel with jovial companions, or to rove the country like a gypsy in quest of odd adventures.

As if confiding in these delusive gifts, he takes no heed of the present nor care for the future, lays no regular and solid foundation of knowledge, follows out no plan, adopts and discards those recommended by his friends, at one time prepares for the ministry, next turns to the law, and then fixes upon medicine. He repairs to Edinburgh, the great emporium of medical science, but the fairy gifts accompany him; he idles and frolics away his time there, imbibing only such knowledge as is agreeable to him; makes an excursion to the poetical regions of the Highlands; and having walked the hospitals for the customary

time, sets off to ramble over the Continent, in quest of novelty rather than knowledge. His whole tour is a poetical one. He fancies he is

playing the philosopher while he is really playing the poet; and though professedly he attends lectures and visits foreign universities, so deficient is he on his return, in the studies for which he set out, that he fails in an examination as a surgeon's mate; and while figuring as a doctor of medicine, is outvied on a point of practice by his apothecary. Baffled in every regular pursuit, after trying in vain some of the humbler callings of commonplace life, he is driven almost by chance to the exercise of his pen, and here the fairy gifts come to his assistance. For a long time, however, he seems unaware of the magic properties of that pen: he uses it only as a makeshift until he can find a legitimate means of support. He is not a learned man, and can write but meagrely and at secondhand on learned subjects; but he has a quick convertible talent that seizes lightly on the points of knowledge necessary to the illustration of a theme: his writings for a time are desultory, the fruits of what he has seen and felt, or what he has recently and hastily read; but his gifted pen transmutes everything into gold, and his own genial nature reflects its sunshine through his pages.

Still unaware of his powers he throws off his writings anonymously, to go with the writings of less favored men; and it is a long time, and after a bitter struggle with poverty and humiliation, before he acquires confidence in his literary talent as a means of support, and begins to dream of reputation.

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